My moving images and video installations are focused on the overlapped and accumulated layered lines of non-historical daily images.   Starting from the video footages that I capture from my personal performance or personal daily surroundings, I deconstructed and reconstructed hundreds of sequences in a fresh structure, utilizing a time intensive process of hundreds of etchings and hand drawings. Each image is scratched and accumulated on the top of previous layer on a single surface or a fragile plexi glass, and creates the next image while still the past image remains behind.

I employ repetitive, meticulous techniques to translate personal repetitious daily routine through the exploration of these most basic aspects of my life, and alludes to search for my identity in the different geographic and cultural milieus through which I have passed - in the travels between my two home countries, South Korea and the United States.